The Architectural History of the Church of St Leonard, Hythe

Pliolo 1 VIEW FROM f.S.f. [F. J. Par8on.t, Ltd. .f reA. Cant. X.Li. HYTHE CHURCH . ( 273 ') THE ARCHITECTURAL HIS'l'ORY OF THE CHURCH OF ST. LEONARD, HYTHE. BY THE REV, G. M, LIVETT, F.S . .A. • .A. DESCRIPTION of St. Leonard's ChU1'ch, Hythe, given by the Vicar, the Rev. Herbert Dale, at the Annual Meeting of the Society in July, 1912, is printed in this volume. In the present Paper, designed to be purely architectural in character, a ce1·ta.i.n amoU11t of repetition will be necessary in order to present the facts, and deductions tberefrom, in a manner intelligent to the reacl:er. · The reader is invited to make a preliminary study of the illustrations, and also to· make constant reference to them while perusing the Paper. Some of the photographs here reproduced were .ta.ken by Mr. Hubert Elgar, the Society's honorary photographer; others have been supplied by Messrs: F. J. Parsons, Lta . .J<· The plans and sections have been specially prepared, for publication in this volume, by Mr. W. H. Elgar of Folkestone, who for the time and pains he has bestowed upon them has placed the Society under a deep debt of gratitude. The main lines of the general ground-plan were taken from measlll'ements made by myself and· carefully plotted, and I am responsible also for the historical ground-plan and section of the church (which Mr. W. H. Elgar has ki:irdly redrawn for reproduction), as well as for the arrangement of the plate of mouldings; for all the rest, namely, for the details of the plan, the cymagraphs of the mouldings, the three a.rchitectural sections, and the isometric projection of the building, Mr. Elgar is alone responsible. The view of the architectural history of the church expressed in this Paper is the result of a careful survey and study of the building, with the assistance of these plans and sections, and a discussion of doubtful points with Mr. Dale, Mr. Elgar and Dr. Randall Davis. It * 145 High Street, Ilythe. YOL. XXX, ·r 274 CHURCH OF sr. LEON.ARD, HYTilE. has not been reached without considerable hesitation: indeed, while the evolution of the building herein sketched out seems to me to be, not only possibly but rather probably, the true solution of the problem which the building presents to the student, a.t the same time it must be confessed that with regard to the destroyed eastem portions it draws largely upon the imagination : in some respects it has been reached by the exclusion of theories that seemed to be untenable rather than by positive evidence remaining in the structure. I shall venture to state .my view without confusing the sketch by detailed discussion of rejected theories.· The church is certainly one of the most attractive in Kent. Its situation is remarkable, standing as it does upon the steep slope of the cliffs that dominate the old Cinque Port, immediately above the town that borders the dried-up haven, overlooking the houses that are crowded together with small gardens enclosed by old stone walls, and the long level lanes and streets that run east and west closely parallel and a1·e connected at short intervals with one another and the High Street by little cross-lanes running up and down the slope. The building is romantic in character, with its unique ambulatory and. charnel-house, and its lofty EarJy English sanctuary telling of the old-time prosperity and almost in the same breath of the threatened decline of the port, and. again of the modern revival of the town's fortunes -for that sanctuary remained with its vaulting unfinished until a recent geueration of worshippers found funds to complete a design which in gra11deur and dignity, if not in beauty of detail, rivals the charming chUl'ch of Stone near Dartford.. The chancel, with its fine western arch, its arcades of clustered Purbeck shafts and moulded arches and its tall triplet of graceful eastern lancets enshrining its sanctuary, rears itself, like the choirs of Canterbury and Rochester, by an approach of many steps, ab@ve the level of the more plain and lowly nave of the people: it is a :fitting symbol of the high and holy place of the lofty One that inhabiteth eternity and dwells also with them that are of a contrite and humble spirit. CHURCH OF ST., LEONARD, HYTHE. 275 The meagre materials which we possess of the early history of Hythe point to its being a place of some importance, owing to its port and shipping; in the eleventh century. It is not known when it first received from the Crown special privileges in return for liability to shipservice. There is no doubt that royal charters were granted to it long before the confederation of the Cinque Ports· by Edward I. in 1278; it certainly received a. charter in the reign of King John, and probably one as early as that of Henry II.* Those early charters purported to trace its royal franchises, like those of Dover, back to the time of Edward the Confessor. That such 1·elationship existed at so early a date between the Crown and the town seems open to doubt, for in Domesday there is 110 hint of ship-service and privileges such as are noted in connection with Dover. In the trouble with Earl God wine in 1052 the Confessor seems to have relied solely upon the Thames for his ships. We learn from the Anglo-Saxon Chronicle that the king ordered forty smacks to be equipped, and sent them to Sandwich, whe1·e they lay for many weeks, and failing to intercept the earl they retw-ned "homeward to London." But the same account reveals the prosperity of Hythe at that irime, for it tells how Godwine and his son Harold coUected iihips and shipmen and stores from that port, as well as from others on the Kentish coast, and with them followed the king's fleet to Southwark. The earliest undisputed documenta.ry reference to Hythe is a record of the g-rant of Saltwood and Hethe to Christchurch by 6ne Haldene or Halfdene, pri11,ceps Atiglonvm, in the year 1036.t At the time of' the Domesday Survey Hede was accounted a bwrgus appurtenant to the manor of Saltwood, which was held of the archbishop by lrnight's service by Rugh of Montfort. Two hundred a,nd ·twenty-five burgesses in the borough of Hythe then belonged to the manor of Saltwood, and six to the manor of Lymiuge, which the archbishop held in demesne. Thereafter the liberty of # See Round, Feudal England, 552, 568, et seq. t IInsted, viii., 221; Dugdnlo, Mon., I., 21. T 2 276 OllURCII OF ST. LEONA.RD, HYTHE. the town and port of Hythe, which included part of West Hythe, was governed by the archbishop's bailiff, assisted by a body of twelve jurats. .A.nd so it continued, the townsfolk from time to time obtaining some voice in the election of the bailiff, until 1541, when the election passed with the manor of Saltwood into the hands of the Crown. In 1575 the town received from the Crown a charter of incorporation, and thenceforward it was governed by a Mayor elected from the jurats by the commoners, who, to the number of twenty-four, :formed the Council.* The secular connection of Hythe with Saltwood influenced its ecclesiastical status: from the first it must have been accounted a chapelry of Saltwood .. In Domesday there is mention of a "church" at Saltwood, and not so at Hythe ; but it is not likely that Hythe remained long without a church of its own to supply the spiritual needs · of its large population, its fisherfolk and shipwrights, who in their way and day were people of some account, to say nothing of the needs of strange1·s whose business brought them to the · rising port. The building contains evidence of a church existing on the site in the opening years of the twelfth century or perhaps a little earlier. In the wall above the arches of the arcade that separates the nave from its north aisle one sees the Caen-stone voussoirs of the rere-arches of two round-headed Norman windows now filled with masonry Bush with the inner face of the wall. They point to the time when a solid wall ran along the lines of the 1trca.de ti,nd formed the external north wall of the nave of the first Nor111an church. .According to the prevailing fashion these windows were set as high as possible in the wall, the top of which ran just above thek rere-ru:ches: the height, therefore, of the first Norman nave was about 18 feet from the present floor-level to the wall-plate : it is indicated quite plainly by a difference in the colour of the pla8ter, which makes a rough line along the top of the blocked windows (see photo. of the north nave-arcade). "' See llnsted1 under liythe; llurrQws, 'Oiiuiue PQ1't.,, 215, Phofo, 'HYTHE CHURCH: [E. C. 1'011tn• Ari·h. Cant. XXX. N. ARCADE OF NAVE. OEIUROH OF ST. LEONptD, HYTHE. 27·7 In course of time this old wall underwent many altera. tions : · in . the later:..Norman period, ·when· the· aisle:· was · added, it was pierced. and in it · was inserted an· arca;de of round:..headed arches supported probably on square piers; · iu the ,thirteenth cen'tury it was raised in height for. the · pm·pose of adding to it the clei·estory of three. windows; seen , above; in. that and .the following ceiltuq the late-Norman arches gave place, one by ·one in turn, to the three existing arches; but through all these vicissitudes parts of the :original wall, betwee.n a.nd above the present arches, remained · and still remains. The iuference that this was the outside wall of the first aisleless nave is confirmed by the slig·ht .remains of its western quoin, seen outside at the west end. When the aisle wa.s erected its erid-wall was built up to that quoin, and most of the squared quoin,.stones were removed, so that .the. new work might be ·botided into the old; but three of th:e old squared stones· were left, two just above the ground-level arid one higher up, and· rriay still easily be distinguished: they are of Caen-stoue, like the voussoirs of the old arches : the builders of the .first Norman church ·eviq,ently used Caen-stone for all theh quoins and arches; and when their work was destroyed and replaced no doubt their Caen-stone blocks were re-cut and used again. This quoin gives us the line of the west wall of the'first church; it seems to have been thickened all along the inner face and -also on the outer face on the south side of the tower in order to, give ·support to the tower built in the thirteenth -century-,the predecessor of the present tower which we know · to hav:e been. built about 17 50.· . The· original south wall stood ou the lines 0£ · the three 11rches qf the present so-qth arcade of the nave:* . No p􀅣rt of it remains ·except two or ·three feet of its whole height .at the extreme west end of the ·araade, and also perhaps· its soutli-east angle· enibedded:in the composite pie1· at the east· end of the· arcade, which wa:s built in the thirteenth century. This wall, like its fellow, inust .t eBn*􀁴 hT-he south-w􀁮b angle shew􀁯 the r􀁰mnlns of a b􀁱ttress doubtles􀁲 􀁳f thiroont 􀁵rY, date, and built when the tower was aqded. It is visible, both outside a.nd ms1de, at the end of the ai􀁶le. • · ·278 CHURCH OF ST. LEONARD, R"tTBJll. have been pierced in the late-Norman period in connection with the addition of the aisle, the evidence of which exists in the round-headed arch at the east end. The late-Norman arcade was replaced in the thirteenth century by the present one, but its character may be imagined from that roundheaded arch at the east end of the aisle. That arch also serves by its position to sbew the line of the east gable-wall, i.e., the chancel-arch wall, of the :first Norman church, in spite of its having been entirely removed: it ran across the church, in line with the late-Nor man arch, northwards from the blank bit of wall now seen between the two responds of the composite pier:l:· The smaller composite pier on the opposite side, the form of which we shall consider later on, affords only slight indication ·of the exact trend of the wall as it ran northwards, and the late-Norman arch which once · stood at the east end. of the aisle on that side, and if it· remained would be a sure guide, has.been entirely removed; but the lines of the transept-wall sufficiently shew the position of the destroyed arch, and in the historical groundplan I have drawn the wall accordingly. Its lines run much out of parallel with the original west wall of the nave, but there is no real objection in this, £or in early-Norman churches such an irregularity is often seen : the early builders made little effort, even if they knew how, to make their buildings accurately rectangular. Having plotted the nave of the :first church on the groundplan of the existing church, iii only remains to add the chancel on lines suggested by the chancels 0£ other earlyNorman churches in the neighbourhood, such as West Hythe and Postling. The early-Norman chancels of those churches were square externally, while internally their length was greater than their breadth by the thickness of their walls, and their side􀃑walls ran well within the lines of the lines 0£ the· side-walls of ihe nave if produced. These conditions are suitably fulfilled in the case of Hythe Church a11 This inference is based upon the assumption, which can scarcely be controverted, that in addiug their aisle the later-Norman builders followed the usual plan of making its .east end range with the east end1 the ohanoel-arch waU, of the earlier nave. . . OHlJRtlH OF S"r. LEO:t-7.A.R.D, HY1'HE. 279 · by placing the destroyed east wall in line with the east wa,lls of the later-Norman transepts; and it is not unlikely that the later-Norman builders, in planning theh- additions, regulated the bi·eadth of their transepts by the size of the old chancel, whereby the east wall of the old chancel would serve as the chancel-arch wall of their new chancel. With the exception of the two north windows and of the chancel-arch, the exact span of which is of course uncertain, no openings, for doors or windows, are shewn in the groundplan of the first Norman church.· I believe that the ma.in entrance, probably the only entrance previous to the thirteenth century, was by a west door. The erection of a west tower in the thirteenth centm-y must have rendered that entrance inconvenient for ordinary purposes, a.nd a new approach and door was then made on the south side of the nave, where the ground always sloped away very sharply from the church. There was no room for burials on the south side : probably the existing wall marks the line of the original boundary of the churchyard on this side. The burial-ground lay to the west and north of the church. The earliest bm·ials were probably made in the western portion: certain it is that the old approach to the church ran from Church Hill to the west door, the chief entrance to the chUl'chyard being at the south-west corner, where a gate still exists ; and of old the custom was for people to bury their dead as near as possible to the path by. which they went to chUl'ch. '' Church Hill," a continuation of " Castle Road," represents the old road which 􀂱ithin living memory formed the principal way of entry into the town £or travellers corning from Saltwood. It is very steep, and now made impossible for wheeled traffic by numerous flights of steps. In the Hospital maps it is called" Clyme Street." .A.t the bottom stands the old Bartholomew's Hospital. The approach to the church from the High Street would naturally come from this old road, and when the south door became the chief entrance, necessitating a new approach therefrom, then (we may imagine) "Oak Walk," which is called "Church Lane" and "Church Street" in the two 280 '()HtrRCR OF ST. LEONARD, 13:YTHE. Hospital maps respectively, was made to give access to it: it is noticeable that the broad Oak Walk becomes a mere lane as it runs on £rom the south porch. Tradition points to the existence, until about forty years ago, of another approach to the west door coming· £rom the north-west, and so serving people coming down Castle Road and Church Hill. In 1870, Mr. Dale says, the churchyard ,vas enlarged to the west and north by the addition of lands that lay between it and Church Rill and North Road -the road that runs along the north side of the present. churchyard. The line of the old boundary wall seems to be preserved by a bank that runs with an easy curve from the south-west corner round to the north. .A. bit of the wall remains near the house which stands at the junction of Church Street and Church Hill. This house was built in 1860, but it occupies the site of one of three old houses which are shewn in the Hospital map of· 1684* as standing in a plot of land belonging to the Hospital and marked "C "-" .A. small Tenument in the Market Ward: 9½ perches." North of this plot a, smaller plot, having no. fence between it and Church Hill but separated from the chm·chyard by a wa.11, is marked "The Revens of y0 S: house." In the map of 1685 this is bounded by a lane running east from Church Hill, which Mr. Dale says was, called "Lovers' Lane." Doubtless the north-west approach to the church was connected in some way with that lane. The addition to the churchyard absorbed the plots above-mentioned and the ground that lay along the north of Lovers' Lane, which of course has disappeare 􀃽. These few details, concerning matters of which evidence is still visible, help one to imagine the early surrou. ndings of the church. t · Like the builders of the chapels of St. Michael and St. Nicholas, the builders of the first * In the map of 1685 only one. house is delineated, t In the 1684 map (but not m that of 1685) two houses app.ear m the extreme south-east corner of the churchyard, and three more, facrng Church Lane, to the west of the south entrance, the first or eastern one being nearly in line with ihe west wall of the tower. The masonry .of the ret:i,ining wall of the churchyard shews signs of the entrance to one of the houses. ,, tlHUltCH Oll' ST. LEON.A.RD, ll'YTllE. 281 chapel of St. Leonard seem to have selected a spot on the hillside where there was a nal'l·ow terrace with a slope that · was slight compal'ed with that of the ground immediately nbove and below it. At the east end of the chul'ch, however, this easement of the slope disappefl,rs, and the later builders in making their eastward extensions of the building had greater difficulties of level to contend with. We now return to the story of the growth of +.he church. The :first enla.rgement was carried out in the latter part of the twelfth century, when the aisles already mentioned were added to the nave and the plan of the church became cruciform by the erection of transepts and a new chancel round the old chancel, which was then demolished. This was in accordance with the fashion that prevailed towards the end of the century. A good example of such an enlargement, at a slightly later date, may be seen at Stockbmy, near Sittingboui-ne. At St. Lawrence, Thanet," a similar tri1,nsformation was made about t.he same time as this was being carried out here at Hythe, but in that ca􀃭e a_ cen,tral tower was erected over· the old chancel. Godalming and Horton Kirkby '(early .thirteenth cenfawy) supply other examples of cruciform enlargement with central tower. Some people have thought that a centr-a.l tower was erected at Hythe, bU:t there ai·e no signs of the existence of such a tower: indeed, a careful study of the existing remains, and especially of the composite pier at the east end of the south nave-arcade, seems to me absolutely to exclude such a possibility, so that I will not waste time by further discussion of the matter. All the new walls of this late-Norman work were based on foundations of large rough blocks of Kep.tish rag, which are plainly visible all round the south transept, the walls of which wet·e rebuilt in the eighteenth century, and along the na.ve aisle-wall adjoining that transept. Indications of the sai.ne kind of foundation M'e also seen at the w􀃮st end of the north aisle a.nd along the west side of the north transept, but the only remains of late-Norman work existing above g·round 282 ClltrRCll OF srr. LilONA.Rb, R'YNrn. are the lower pa,rt of the walls of the nave-aisles and of the north transept and the round arch at the east end of the south aisle. The character of the walling, best seen perhaps on . the outside of the north aisle,. is £or the most part obscured by repairs and patching. The late-Norman builders, like their Early English successo1·s, strengthened their internal angles with wrought stone : this may be seen in the angle close to the south jamb of tbe aforesaid round arch, and it shews the heig·ht (about 9 feet) of the original height of the aisle walls, which were raised to their present height in the fourteenth century. Fortune has preserved for us, on the face of the remains of the first-Norman south wall at the west encl of the arcade, about 16 feet from the ground, a short stretch of the horizontal weather-course inserted in .that wall by the later-Normans in connection with their aisle-roof, from which, with the height of their aisle-wall, we can gauge the position and slope of their aisle-roof (as indicated by dotted line in the section I). This wea thei·-course also gives us the limit of · 4eight of the arches of their (destroyed) arcades. Taking the round arch at the end of the aisle as a guide to their character, I have worked out the plan and elevation of those destroyed arcades, and have come to the conclusion that they comprised three arches with flat soffits springing­ from square piers, the level of the imposts being two or three inches below that of the necking of the capitals of the existing Early Englh:h south arcade. The angles of the arches and piers would be either chamfered or, as is more probable, cut into angle-shafts, commonly called an edge-roll. Fragments of this moulding, suitable for both quoins and a,rches, appear in the eighteenth-century walling of the south tmnsept.* The insertion of those arcades cut away the lower parts of the fhst-Norman wind,ows, len,ving • .Among them are voussoirs, shewing the edge-roll, that would suit the rere-aroh of a window or of a doorway of 4 feet spau, and voussoirs of an arch of about 6 feet span shewing a plain face n.nd zigzag motllding on the soflit (Pone of these might well be taken out of the wall for complete examin:i.tion). 'fhere are also some thirteenth-century filleted edge-rolls. Plioto] [ F. J. l'ar,ons, Ltd. SOUTH AISLE. Arel,. Cant. XXX. [ 1''. J, Parsons, Lid. NORTH AISLS. ST. LEONARD'S, HYTHE. [E. C. To«e11.1· N. TRANSEPT. 'O'.II'lJRO'.JI O.F S'T. LEONARD, BY'l''.IIE. · 283 their round heads above the line of the crown of the' arcadearches. It is possible that new sills we1·e made and the . heads of the windows left open, transforming the wallspace above the arcades into a clerestory, but it is more likely that these were blocked, and that the builders depended for light upon small windows fu their aisle-walls and larger windows at the end of the aisles, as at Icklesham and St. Margaret-at-Cliffe. On the right-hand side of the plate entitled " historical section" I have shewn the section of the first-Norman wall with a conjectural. restoration of its windows, The seoond-Norman architect retaine􀄔 the old nave-roof, ·which remained until the Early English people built their clerestory and 1·aised the height of the 􀄕·oof; The character of the second-Norman work and its approx;imat􀄖 date can now be . estimated only by a study of the elaborate doorway in the west wall of the north transept and the plainer work of the arch at the east end. of the south aisle. Some people think that the arch should be assigned to an earlier date than the doorway : but important doorways-and tbfa doorway was important 􀄗El the entrance to the Chapel of St. . Edmund, a sain,t. ;w:h.ose cult ranked high {n: the estimation of the parishioners of Hythe-were always highly decorated, 1'· and the form of foliage in the plainer capitals of the arch is characteristic of late date.· Moreover, the bases of the two works, with their emph;:1,sized necking, are late in character an.d identical in section, and exhibit OJ.le slight feature which is uncommon. I think they cannot possibly be the work of different ma.sons, and that we cannot be going far astr􀄘y _if yve assign this late-Norman 'work to the latter part of the third quarter of the twelfth century. The whole of the ashlar was ,faced with the ax:e, not with the broad chisel introduce·d at Canterbury· in 1174, and the angles of the transept are ;i Comr,o.re the elaborute soulpture of the Norman west door of ltooliester Cathedral with the plain work whioh surrounds it, .. , . · . · , · ' . · , 284 . iJH'tJRCl:C Olr S".I.'. LlilONARl>, lIY1'1£E. strengthened with clasping pilasters. On the other hand, the use of shaft-bands points to a late date.* It is in accordance with the method of enlargement usually adopted elsewhere to imagine that, the new work was built up as :far as possible round the old building without interfe1·ing with the celebration of the services therein. In this case I think it was possible to build the whole of the new walls (with the exception of that containing the new chancel-arch) in this way, which a glance at the historical ground-plan. wi.11 make plain. t The greater · parp if not the whole could likewise be roofed. The only matter of doubt is whether the extension of the nave-roof eastwards over the old chancel, and the junction therewith of the new transept-roofs, could be carried out while the old chancel.roof reiμained standing.t Iu order to carry out the extension of the nave-roof it was necessary to build new walls in line with the side-walls of the old nave, i.e., • In writing this paragraph the fl·agment􀄒 of ornate Norman work preserved · in the ambulatory escaped my memory-see the photograph whioh Mr. Hubert Elgar took fo1· this Paper (inuluding in the group a shaft-band, here illustrated, and a mutifa,ted base of Early English date). They /Jame doubtless from the destroyed late-Norman choir, and include a voussoir of zigzag, two capitals, a bit of foli:ige, and a portion of a label shewing four-leaved flowers worked on a chamfer. All a.re characteristic of the late-Norman style of ornament . .,1\ •f I 35'/s'' I I '¥' t In this plau I do not shew the later-Norman ohaucel-ar􀄓h;as to do so would obscure the nngles of the east end of the fit•st-Normun chaucel. One ha.s to imagine there the responds of a fine arch like that at St. Margarot-atClitfe. :t: Just as the present transept roofs are lower than that of the nave (all probably the work of the thirteenth•o􀄔ntury builders), so it i8 probable that the original transept-roofs were made lower than the old nave-roof, upon an extension of which they were made to abut. The roof of the new choir also would be a little lower than that of the extended nave, abutting upon the gablewall in the usual way. Photo] Photo] FRAGMENTS PRESERVED IN AMBULATORY. L f;. C. J"u11e11a AMBULATORY: HYTHE CHURCH. 􀀃·· ...... ....... •••••••• ........ ....... - .... 􀀂 -', ,'. >'Ill .-1 I F. .J. I',11•.w,,,.,. Ltd. CHURCH OF S1'. LEONARD, HYTHE. 285- from the east angles of the old nave up to the line 0£ the east walls of the new transepts. These walls doubtless each contained a round-headed arch 0£ communication (with the adjoining transept), which the thirteenth-century builders replaced by the wider and taller pointed arch now existing on either side . .All this new work (with the possible exception of the roofs) having been completed, a tempora.ry hoarding· was placed within• the chancel-arch of the old church, and the altar was transferred to the old nave, where the services were celebrated while the old chancel was being demolished and the new chancel-arch inserted. Then the new chancelarch and the small aisle-arch on either side of it were hoarded and the altat was transferred to the new chancel, where service was held while the remodelling of the old nave was being completed·: this work comprised the insertion of arcades in the old side-walls and the demolition of the old chancel-arch and the gable-wall above it. In the conjectural plan of this late-Norman church the only parts that seem to be open to doubt are those east of the chancel-a1·ch and transepts. The lines adopted and sbewn in the historical ground-plan, after frial of seve1-a.l other schemes, seem to me to give the probable solution of the problem. They may be modified by slig·ht alterations in the width of the chancel without affecting· the general scheme, which is that of a short chancel with aisles or .sidechapels. The walls separating· the chancel £rom the aisles would be solid towards the east, and would contain towards the west in each case a small arch of communication. It is possible, though I do not think it probable, that the aisles did not extend eastwards to the full length of the chancel, but stopped. short about half-way. That alteration, again, would not really affect the scheme, in which the chief consideration is the length of the chancel. I have ruled it by a consideration of the methods. likely to have been adopted by the Early English architect of the succeeding century in the planning and erection of his new work in 1·efa,t,ion t<> the old. !t seems to rne to be most likely that 286 CHURCH OF S'l'. LEONARD; RYTRE. between the late-Norman east end and the roadway thei·e was just sufficient 1·oom to allow him to build his ambulatory, and the work to a certain height abqve it, without interfering with the late-Norman work. The delightful way in which, in m y plan, the design of the Early English work fits on to the plan of the late-Norman work, enabling the builders as they proceeded westwards to incorporate some of the masonry of the old aisle-walls in their walls, and to . use the lower parts of the side-walls of the old chancel as foundation-work (of course needing additional foundatitms) for their new arcades standing on a :floor-level several feet about the level of the older chancel, may seem to some to be too ingenious to be true; but it is in exact accord with the procedure adopted elsewhere ii1 somewhat similar cases. A good case in point is that of Rochester Cathedi-al, where the Early English buildel's of the east􀂲rn extension of the choir regulated the lines of their design by those of the Norman eastern arm which they replaced, incorporating as much of the older work as they could. We have now reached the last stage in the growth of St. Leonard's Church, the stage of Gothic remodelling. One <3annot think that the parishioners of Hythe in the Early English period, ambitious though they were, and employing, as they probably did, some eminent architect, raised their chancel to its remarkable height of floor-level simply to emulate the glories of Canterbury Cathedral. This feature was simply the natural and necessary result of lack of space. This is prosaic, but true. In the thirteenth century the ,port of Hythe was at the height of its prosperity, and the people wished to express their gratitude by beautifying the House of God in which they were wont to worship. They would naturally begin with the chancel : it must be enlarged and by every means made more glorious. At the same time their Sunday procession, conducted by priest and clerks, demanded tbe preservation o􀂳 a way right round the church without stepping off the soil of the hallowed acre. There was only one way of effecting this : to support the east end of their new g; ---.-,,.-,.....--: J 2 'S Cl, C A0Co EOl BOD OFO,J H . : : ' . ' D ,, --·r-i ·- - -'-u L {>-o 􀀎 􀀇-r--........---";....,.,..-=--,.., KEY T9 MOULDINGS. W.H,E . HYTHE CHURCH. 􀀖􀀗 􀀘 􀀙 􀀚􀀛 '"tl m' 􀀃 􀀄 10 tI't:: .􀀃. :􀀂 _· I I I I I I I I I I t I ..-< 0 I I I I 11 i:) 11 􀀊I' I 􀁭 II .A I• /'.J,i;,, I I (.\ I I It I 11 I I 1- - - - - - "•·,-,,.•,e.,I I le Ve.( 0 f 1 1 road r'----􀁮::::'􀁯􀁰-􀁱-- 􀁲- -"_' .::."'<':f:.i_-LI J_􀁳_q_/2_1/ _ _.jf./:{:i:;;:l I J6tf, .sfek ii􀁴􀁵 "--A'?'- :Z 􀀦f'􀀧,􀀨.'.:1 I;;;: - - --􀀩 R "(".E. C - 􀀆7JJi􀀇'.i I􀀪 4'-<,D 1 --··" •• "" .,-. -'􀀇•:<'-w! I 􀀈 h,j>,􀀇¥1: A .Aria ond rhce.ss,0 ·m,,,,,,,,,,,,..,"./'jf· ----- 11 fire« and $iei7s 􀀗-􀀘 - -f􀀄- :7s 􀀅 ', locked by the organ and cumbered with. U:gly,stained-deal music cases. When these modern l'equfrements are made beautiful in themselves, as indeed they m ay be, some sense of dignity will be restored to this aisle with its sacred memories. The arrangement of buttresses on the north side .is .􀄞 The thirteenth-century builders placed t.he springers in position, but did not com-pfote the vo.ult: it wu.s left to Mr. Peo.rson to accomplish six and a hnlf centuries later. t P.S.-.A sound renson for the peculio.r position of the buttress mny be suggested by processionn.1 requirements. The procession coming through the ambulatory from the north doubtless made its sooond sto.tion in the space outside the south door (lo.ter on oooupied in part by cottages and now by vaults). From this station it would ascend a ftight of steps just before reaching the narrow passage between the trnnsept and the boundary-wall, on its way to the south po1•oh. The wall is in p111·t modern : the medirovnl remains cease ou the 􀄟nst side _in line with the face of the greltt bntt1·esses, and begin ngain at a rise 10 the height of the wnll about 8 feet from the eust wall of the t1·a.nsept. V 2 ·292 ORURCH OF ST. LE,O􀀖ARD, _RJ;TRE. d,ifferent from. that on the south side : there is a but' tress between the first a,nd second bays from the west, but it stands fully a foot to the_ east of. the normal position opposite the thrust of the vault-possibly to give space .£or the projecHng chapel of St. Edmnnd ;* there is no butt:t·ess between 􀄳he second and third bays, the. normal position being occupied by the j,1.mb of the ambuhi,tory door; and the eastern buttress does not impinge upon the jamb of the ambulatory door-arch. The windows are differently planued :. a single lancet in the first bay (as ·in the south aisle) ; two sepamte lancets in the second bay ; and . in t􀄴e third bay a pair of lancets close together under a·single pointed rere-arch. _ The ·vaulting-ribs f91low the,. normal quadrip_artite plan. This aisle has recently been furnished as a chapel :for d􀄵ily services, wit.h an altar at the east eud .. The chancel, which is approached from the nave by a flight of nine steps, measures 4,0½ feet by 281 feet. The d􀄶sign of the quadripartite vault and its supports divides it into three bays : t􀄷e first two bays froJ?, the west form the choir, and the easternmost bay is the sa,crarium or sanctuary, the floor of which is three steps above that of the choir. The sanctuary is separated from the aisles by a solid wall, and the choir by two taUpointed arches on either side. These arches and the columns from which they spring are peculiarly rich in character. They have three orders: the upper and · middle orders a1:e m􀄸ulded, the latter adom􀄹d with dogtooth ; the lowest order is a bold, plain se􀄺i-:-ootagon in section. The columns consist of a central drum sur- . ' ' . . . rounded by free shafts. In the eastern responds a group of three slender shafts takes the place· of a single larger shaft to support the lowest order, and an extra shaft is introduced behind a.nd between the shafts of the other two orde1·s: all * P.,􀂺.-Mr. Elgar's sketch, described in the previous P.S. note, shews his iden. of the lines of the walls of the cho.pel, deduced from remains of ashlar in the face of the wn.lls, which he interprets as marking the position of re-entering o.n􀂻les, at three plnces noted by ano:ws E, F, G. 'l'he bit of a string-course marked J, which is 'i feet 8 inches above the level of the transept-floo-r, he takes to be the part of the return of the imliost-mo\ilding of the blocked m·ch, Photo] HYTHE CHURCH: [E. C. 1"011,"·' A.re/,. Ca"t. XXX. S. Wl>LL OF Sl>CRl>RIUM. HYTHE CHURCH: CHOIR-TRIFORIUM. [ E. C. 1'u11en􀀌 ;1.r􀀎h. Cant. XXX. tJRUROH OF ·s'T. L'EdNA.Rl>, '.JiY-TIIE. ·293 this, which may be studied in one of the photographs, gives an effect of great richness, which. is enhanced by _the blues and dark greys of the shafts and their bases and caps in contrast with the c1;eam-coloured Caen-stone of the arches. The smaller shafts are Purbeck .marble ; the larger shafts, a. rare kind of Kentish rag, full of fossils and of a dark blue · colour, found in the quarries .on the top of the hill. The bases and caps are worked out of great slabs of the same local matel'ial rubbed to a smooth surface. The triforium stage above the arches has in each bay two round-headed arches, each one enclosing a pair of small pointed arches. The general design of this stage bears a remarkable likeness to that of the same stage in the choir of Canterbury Cathedral, from which, though it is at least half a century later in date, it differs only in· details : it affords an instance of the persistence of the employment of the round-headed arch where circumstances seem to demand it. The ca.ps are bell-shaped and simple in characte1·, and all the arch-mouldings are filleted edge-rolls of bold contour. There are no labels or hood-moulds, and in spite of the use of Purbeck shafts the design of this trif orium-stage is plain even to · severity : ·. the Purbeck shafts serve to relieve the contrast, which would otherwise be too striking·, between this plainness and the richness of the arches below. The plainness increases il1 the ele1·estory-stage above, in which trefoiled windows, differing singularly in width, · throw their light down into the chancel across a gallery that runs along in the 'thickness of the wa,ll and through wide arches of depressed pointed form that have no bases or caps or mouldings of any sort and are framed by the wall-ribs of the vaulting·. The · vaulting-ribs spring from the eaps of wall-shafts that range and, in effect, combine with the columns and shafts of the triforium nrches : they rise through a bold· round horizontal string-course that defines the olerestory-·stage; There 'is no · string-course at the level of the trifo1-iuin-stage, but the horizontal line is here sufficiently marked by a thin com·se of Oaen-stone ashlar. I have ventured to describe in some detail the feature$ of . 2941 9HUROII OF ST, LEONARD, H:YTHE. these two bays of the choir, and to draw attention to their contrast of richness below with increasing· plainness above, in. order to reveal, if possible, the subtle intention of the designer. It might be asked, why _did he expe11d all the . resources of his ingenuity upon the adornment of the arcaa.es and treat the upper stages with comparative meanness and in a style that, with its round arches and horizontal lines, was in his day quite old-fashioned? .Admitting that he had no great height at his disposal to play with, yet one· may be tempted to wonder why he did not adopt a device which had _been adumbrated in the pi·esbytery and eastern transepts of Rochester (c. 1200) and was carried out to perfection in the. choir of Southwell (c. 1280): he might., in fact, have . abolished the horizontal division: between his triforium and clerestory and have combined them into one stage by designing tall arches to rise from. the base of the former to the top of the latter. But this would have defeated his subtle intention. In. his mind the most hallowed spot in the church was in the sanctuary, the easternmost bay of the chancel : he would enshrine the altar and the reserved, sacrament above it with all the dignity and grace that he . could impart to its surroundings. But he was not thinking of a student of architecture standing in the chancel and gazing up at the details of his triforium ; he was thinking rather of a worshipper in the nave, whose eye, if it should momentarily stray up to the sides of his building, he would immediately lead on eastwards : hence the. horizontal lines and the old-fashioned and comparatively mean style of his triforium. Then, as to his setting of the altar, to enl?,ance its dignity the backg-round and its adjoining side-walls must be plain, adorned only by the necessary adjuncts of sedilia and piscina; but all above must be rich and uplifting·, carrying the mind from altar to heaven and from heaven to altar again : therefore he designed tall lancets to rise up all around it. A line of small sunk quatrefoils and sculptured roses under a ·horizontal string-course runs along the wall behind the altar, and from the string there rises a series of five lancets,. delicately moulded and shafted, and filling the tlHURCH OF . S'l'. LE0NARD, HllIDJ. · 295 whole breadth 0£ the eastern wall," the two outer ones narrow and merely decorative a.nd the remaining thre.e pierced to form a triplet 0£ windows letting in the eastern morning light; the wall-space above antl between the heads 0£ the windows and under the arch 0£ the vault being adorned with a pair 0£ large blind quatrefoils. At each end the string-course, with its enrichment of roses and foils, runs a little way. up the angle of the sacrarium, and is thence continued along the side-wall to merge into the label 0£ the PANELS UNDER STRING COURSE. . I f I I I lo i 12 13 r ,s 16 ? i' 19 )10inclles •. Sect\.on arcade􀃊a1􀃋ches, and from it a pair 0£ blind lancets rise to play their part in the scheme, their crowns reaching up to the level of the capitals of the triforium-aroade; for the triforium 􀃌ith its b.01·izontal lines 'and plain round arches is not continued into the sanctuary bay. The worshipper in the nave looks over the steps under the expansive chancel-arch, along the choir with its forest of shafts and. shadow-lined a\·ches, towards the sanctuary, and his eye, li£ted still higher, but all rmoonscious of their 296 CHURCH OF ST. :LE9N:A.RD, · μT;iI􀀞.• influence, by these tall blind lancets, m􀃃ets the light qf ;heaven streaming, in broken and subdued tones, through the staiiied-glass windows on to the sacred spot ,below. The chancel of tlie church 0£ St. Leonard at Bythe is a, masterpiece of architectural design : every line and cur,·e ..i s inspired and instinct with devout intention.* Strange to say, the design was not completely carried out in medireval times: it remained for Mr. Pearson to insert the tri£orium arches and the clerestory windows on the north side, and to build the vault. The deep colour of the Bathstone which he used contrasts somewhat unpleasautlywith the lighter Caen-stone of the original work .. The plain ceil-. ing which he replaced is depicted in the engravings which have been hung on the west wall 0£ the nave. The tri£orium stage of the north side seems to have been previously a blank wall, and the clerestories were blocked by the ceiling. The medireval builders made preparationsfor the vault by vaulting- shafts on the south side and in the eastern angles of the building, and they added a pa1·t of the eastern wall-ribs, t ' . * The original setting of the altar is ob,goured, some would say marred, by the remarkable altar-piece, representing the Entiombment, which hides• the de􀆣orated string-course and cuts off from view the brisos of the gru.nd windows. A .small Tudor doorway inserted in the solid wall on the no1·th side of the sanctuary suggests that the north aisle was used as a vestry or sacristy;. and perhaps its altar served as aprotli,esis or credence-table. l!.S. It has been sug• gested that a solid wall instead of an aroh was built on either side of the saora.rium for a structural reason-" a, device for strengthening the abutment of the choit- arcade." In my opinion the massive external buttresses would have a,mply sufficed t.o resist the thrust of the arcades if they had been continued by the :addition of a third arch up to the east wall. Moreover, I think that ti:om a stiiuctural point of view the solid walls were a distinct disadvantage, for they imposed a great weight upon the vaulu of the ambuhtory below and necessitated therein massive cross-arches to carry them. Doubtless structural considerations we􀆤·e present to the mind of the architect in so far as (if I am right) ho wisheμ to erect as much as possible of his now east end before demolishing the east end of the. old building ; but here resthetic oonsiderations also came into plu.y, for adhering to that intention he could not design, in place of the solid walls, easteru arches of tbe same span as the other arches of his o.1·c􀆥es...:.they woul_d of necessity have been narrower and the effect unhappy. I thmk that rosthet1c and ritual consicloratious dominated his design. It was usual to mo.1·k strongly the separation of. the sanctuary from the adjoining aisles : · either by solid "!alls, or by a soreen, whether of wood or of stone, placed in the &!$tern aroh ou etther side. In many churches, of cour5e, the su.notuary was extended eastwards beyond the ends of the aisles, giving exactly the snmo effect and affo1·drng 􀆦imilar facilities for pisoina, sedilia a.ud aumbries. t See the photo of the triforium, in whioh the springers on the vault1og shaft in the S.E. angle are recoguised as original work,by their light hue as .compared with the rest of the ribs. 0.EIU .Rtm: OF S'1'. , l,:EON A.Rl>, !In.RE;, 297 but there the work ceased: a temporary ceiling was erected, and the work of remodelling the transepts and nave was proceeded with. Before passing on, h,owever, we may notice the somewhat cl:umsy arrangement designed t-0 afford access to the upper pn,rts of th􀇌 choir. For this purpose a newel sfa,ircase was attached to the north pier of the chancel-arch, blocking the steps leading up from the transept to the aisle to such an e:icient as to make it necessary to cut away a part of ·the opposite wall to obtain space for them .. The fine · chisel-tooling of .the CaeD-stone ashlar, identical with that of choir, proves that this work was executed by the same builders. Internally·· the work is rough, and the rubble,. vaulting shews plainly 􀇍he marks of the short boards on which it was laid. . The newel and. the steps are Ca en-stone. At the twenty-sixth step a door,vay gave access fo:rmerly t9 the rood-loft, which no longer exists. At the fifty-ninth step a doo1;way leads to a passage tbat rnns across the buildiug, uud is constructed u1 the thickness of. the wall above the cha,ncel-􀇎rch. The orig·inal construction of the newel is seen to come to an erid with the sixty-ninth step. ·. Above this level there are s ixteen steps constructed in Kentish rag, and then·the newel stops. 'l1he cirme intention accounts for the great span of the eastern arch of the ·arcade, the east respond being squeezed.up as· near as possible.to the west respond of the great·transept-atch, therebyredudng the size, and lessening the obstruction, of the resulting· composite pier ·to its smallest possible dimensions. . If this object ha􀆦 not been in the mind of the fourteenth.:century architect he would doubtless have r􀆧ta.ined the Norman a1·ch at the east end of the aisle􀆨 and would have '!nade his arcade-arch· correspond in position,_ dimensions and genera] appearance with. the Early English arch on th·e opposite side of the nave., Most·of the featUl''es brought ·out· in -the fcirego4ig paragraph a1:e visible in the pliotograpbs of the north aisle and the, noi:th arcade'. It would greatly improve the appearance of the eastern arch if the squa,re · block of stone which stops .. the label of t;he western haunch. wei·e· suitably carved into a boss . of Decorated foliage. The materiail of the bases and. caps is Kentish rag wo1•ked to· a smooth surface; of the piJlars, the . * F.s:-Mr. Elgar reminds me that i􀁣 occurs also in tlie brackiiand the • label of nn ogee-shoped fourteonth,century 1,iscina in• the·south ·choir-aisle.' bllURCH OF ST. LEON,A.RD, HYTHE. 305 same tooled; of the arch and adjoining half-arch, Caen 􀄇tone. We have seen that the.architect of the works just described raised the aisle to its present heig·ht and inserted the two windows. I imagine that he inserted also the north door in the middle of the aisle-wall, of which the whole of the stonework has recently been renewed :* the door and windows are symmetrically disposed on plan. Apparently he left the western Norman arch, the pier of which supported the western haunch of the middle arch, to be dealt with when the state of the church's finances should permit. The ar1·angement was awkward: the low Norman arch and the three or four feet of blank wall to which its west respond was attached obscured the new aisle-window, and atch a,nd window did not correspond in position. Funds were evidently low when the necessary alteration was undertaken, and it was . carried out, probably by the loca,l quarrymen, in a rough and inexpensive way. The proper plan would have been to substitute for the twelfth and thirteenth-century arches two new arches in the same style as the eastern arch and corresponding · in elevation with the two Early English arches 011 the opposite side. The builders, however, left the middle a.rch standing, and made an oblong-shaped pier to support the adjoining haunches of his new arch and the thirteenthcentury arch. The rude pier which we now see, with its ruder base and capital, was the result. Some people have thought that this arch and its rough responds were a work of much earlier date, but, apart :from the difficulty of t-racing out the modus ope1·andi in such a case, the style of ma.sonry alone puts that view out of the question. The voussoirs of the arch are very long· stones, such as were .never used :for the pmpose before the fourteenth century. Moreover, the treatment of the surface of the stones, which have roughlypicked faces and :finely drafted edges, was such as did not previously come into fa􀄈hion. Of course the builder 11ever meant his work to be pointed with such a kenspeckle material .as roman cement. A vertical strip of the oblong pier, • By Mr. Street in 1875. It had been blocked up, and \\'as then reopened. YOL, 􀀄xx. X 306 CHUllOH OF. ST. LEONARD, HY1'HE. between the responds on both sides, might well be cove1·ed with plaster, and the black cement still remaining should he picked out, a,nd also out of the joints of the other pillars of this aicade, and all the joints shonld be re-pointed with mortar of a light hue., The appearance of the nave would be greatly improved thereby. The wall of the south aisle was raised, and the presfnt flat roof substituted for the Early English· sloping roof, in the fourteenth century, at the same time as similar alterations were made in the north aisle. The stone work of the windows is modern. The porch, too, with its procession doors in the side-walls and a room above, I believe to have been added or rebuilt in the fourteenth century. Low down on the face of the east wall of the north transept may be seen the 'stops' of the jambs of the arch of a recess, which is now blocked, but which formerly con-, tained the altar, doubtless, of St. Edmund; R.nd to the right there are the mutilated. remains of the beautiful piseina of the same alta,r.* The masonry of the jambs shews Early English to'oling, and the little piscina is an exact reproduction of the style of the nouble piscin11 in the sanctuary of the church. Row far the recess projected from the exte1·ior face of the wall cannot be accurately decided; but the position of the piscina􀄔 outside the recess, suggests that its projection was slight. Some ind.efi.nit,e · signs of its existence still remain ou the exterior : there is a bit of string-course which, though claimed to be Norman, may very well be Early English; and some faced stones she wing diagonal tooling may very well be Nor man stones re-used by the Early English bnilde1·s. I believe that this altar-site was wholly coustmcted in the Early lJJnglish period, either shortly before or at the same time as the building of the present choir. The crown of westernmost window of the north aisle is a little higher than its fellows, rio doubt £or the purpose of avoiding the interference of light caused by this adjunct to the east w11ll of the transept. * See th􀀪 little inset in the vhotos-raph of the no1·th transept. CHURCH OF S'l'. LEONAR:f), HYTRE, 307 This Paper contains the 1·esults of a purely architectural study of the church. Much curioui, information on other matters will be fQund in Canon Scott Robertson's Paper published in .. ,frch. Cant., Vol. XVIII. Mr. A. Russey's abstracts from wills in Testamenta Oanfnruna should also be read. • It will be sufficient here if a list of altars and their probable sites be given: the eastward · enlai·gemeut of churches in mediooval times was dictated partly by an increase in the number of clerks and a growing elaboration of ritual, and partly by a desire to make roo:m for additional altars. (1) The altar of "the High Chancel" was dedicated in the name of St. Leonard. (2) It is probable that the south choir-aisle was "the chancel " of Our Lady, St. Mary. It also contained "the great chest," from which we may infer that it served as the treasury of the church. (3) St. Katherine : mention is made of a light of Our Lady in the aisle of St. Katherine, which probably was the north choiraisle. There was" a brotherhood of St. Katherine, whose light was kept up by the members. (4) The altar of St. Edmund; King and Marty1·, as we have seen, was situated in the north transept, known as the chapel of that saint, where the bailiff and jurats of Hythe used to meet in council, entering· by the sumptuous late-Norman door. (5) The chapel of St. Ja mes is traditionally placed in the south transept, which was rebuilt by the Deedes family in 1751. A. list of lights, implying "imag·es " but not necessarily altars, may be added: St. John the Baptist senior, supported by a brotherhood; St. John minor; St. Anthony; Corpus Christi; St. Mary of the Assumption; and St. Ch1·fatopher, "in the aisle of St. Christopher," the site of which is unlmown. Mention is made of a "painting" of St. Ohi;istopher. 'I1he only signs of a,ncient colour left 011 the walls or pillars consist of a consecration cross said to be behind the altar of St. Katherine, and of some indications of geometrical decoration on the. upper parts of the pillars of the south nave-arcade, Each pillar shews, running round it and X 2 308 O􀀙URCH OF ST. LEO.NARD, RY'.l'HJ£. repeated in three tiers, a design of alternating trefoils and seμricircles (? or circles), outlined in graffito., Within these. forms the o13urface is irregularly dotted with sta.rs and half':moons. ;. It only remains to th􀁹nk Mr. Dale for his ca1·e£ul revision, in proof, of this attempt to elucidate the architectural history of the church which he serves and loves •.

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Late-Celtic Discoveries at Broadstairs