The Heraldry of Godinton House, near Ashford. Part I: Introduction, Ward Family Heraldry and some Miscellanea

THE HERALDRY OF GODINTON HOUSE, NEAR ASHF ORD. PART I: INTRODUCTION, WARD FAMILY HERALDRY AND SOME MISCELLANEA PHILIP L.A. NEWlLL Godinton House is a property of great antiquity some two miles to the north-west of Ashford in Kent. 1 The property has undergone many additions and modifications over the centuries but would once have been a ty pical Kentish hall house, dating from c.1400, possibly with earlier origins. The Great Hall remains, although after various improvements; and the solar with storage room underneath (now the Needlework Room and Parlour, respectively) survive in truncated form due to construction of the east front in the early 1630s. The rooms at the lower end of the hall were demolished in the eighteenth century to make way for a dining room on the site of that seen today.2 Other enlargements include creation of the south front also in the eighteenth century and more recently a range designed by Sir Reginald Blomfield, added to the western side of the house at the end of the nineteenth century.3 Notable features of the interior include the grand staircase dating from 1628; stained glass by Thomas Willement in 1826;4 interior designs by Blomfield; and work in the medieval part of the house by Liberty & Co. of London in 1925 . 5 In addition, Blomfield designed the fonnal gardens in 18966 which were created in the following years.7 h1 terms of ownership, the Toke family had the longest reign (over four hundred years) to be followed by the Dodd family, the Ward family, Alan Wyndham Green and most recently the Godinton House Preservation Tmst. Thomas Toke is thought to have inherited Godinton from the Goldwell family via Joan, his wife,8 in the mid fifteenth century. The estate passed down through many generations ofTokes until it was sold to the Dodd family in 1895 by Col John Leslie Toke.9 George Ashley Dodd (son of George Dodd, MP for Maidstone) purchased the house and owned it until his death in September 1917 . 10 George Ashley Dodd 's widow sold Godinton to Lillie Bruce Ward in 1917. Lillie, wife of Robert Bmce Ward, was the daughter of Edward Partington, first Baron Doverdale, a wealthy industrialist, and it was Lillie who purchased Godinton and presided over the changes to the interior. In particular, it was Lillie who commissioned the piercing of the Great Hall east wall and refurbishment of the Parlour by Liberty and Co. of London in 1925. Upon the demise of Lillie in 1951, 11 Godinton passed to her grandson Alan Wyndhan1 Green, who managed the estate until his death in 1996.12 Alan never married and consequently had no children, so he set up the Godinton House Preservation Tmst to maintain the house for future generations of the visiting public. 223 PlfilIP LA NEWILL The Ward Family l11e known male line of the Ward family (Fig. 1) originated in Newcastle-underLyme, Staffordshire, with Michael Ward and his wife Margaret. Their only son Thomas married in 1647 as his second wife Amy Shaw, daughter of the Alderman of Newcastle-under-Lyme. In 1679 their son Michael, also of Newcastle-underLyme married Ha.ll.llah Roades, daughter of the Vicar of Leek, Staffordshire. The involvement of religion with the Ward family is emphasised with their son, Rev. Michael Ward, Rector ofBlithfield and of Leigh, Staffordshire, who in 1714 married secondly Sarah Spateman, daughter of the Rector of Yoxhall, Staffordshire; and their son the Rev. Francis Ward of Stramshall, Staffordshire, Rector of Stanford, Nottinghamshire, who married Margaret Bill in 1754. Their eldest son, John, also of Stramshall, married in 1784 Hannah Hawkes, daughter and heiress of Samuel Hawkes ofOgboume St Andrew, Wiltshire. The fifth son of the above, Rev. Charles Ward was Rector of Maulden, Bedfordshire, and married in 1825 Susannah Foster daughter of the Prebendary of Wells. In tum, their son, Rev. Charles Bruce Ward, Vicar of St James's, Glossop, Derbyshire, married Hannah Maria Blagg in 1863 Thomas Ward m. Hannah Gill Rev. John Ward lll. Ann Merriman Thomas Ward m. Amy Shaw . I Michael Ward m. Hannah Roades I Rev. Michael Ward m.2 Sarah Spateman Rev. Francis Ward m. Margaret Bill I JohnWard m. Hannah Hawkes Rev. Charles Ward m.1 Susannah Foster I Rev. Charles Brnce Ward m. Hannah Maria Blagg I RobertBrnce Ward m. Lillie Jane Partington I Thomas Ward m. Martha Merriman Margaret Ward m. Rev. John Joseph Goodenough I Lydia Ward m. Sir James Alexander Gordon Fig. 1 The marriages of s elected Ward family members. 224 HERALDRY OF GODINTON HOUSE, Nr ASHFORD. PART 1: INTRO., WARD FAMILY & MISC. and had ten sons (including Robert Bruce Ward, later of Godinton) and a daughter who died in childhood. Robert Bruce Ward became a J.P. for Worcestershire and married the Hon. Lillie Jane Partington, a daughter of the first Baron Doverdale and J.P. for Kent, in 1897.13 They had two children: Edward Bruce and Geraldine Amy Beatrice. Edward married three times, but had no children, while Geraldine married Capt. Graham Harry Wyndham Green in 1920 and had an only son, Alan Wyndham Green. Geraldine died prematurely in 1937, while Alan was still a teenager and he was then raised at Godinton by his grandparents. Robert died in 1943 and when Lillie died in 1951 she left Godinton to Alan, not to Edward, probably because it had become Alan's home and Edward had been successful as a businessman, with a house of his own elsewhere. Five marriages not on the main male line should also be mentioned (Fig. 1). Firstly, Thomas, an elder brother of Rev. Francis Ward, married Hannah Gill in 1765. Their nephew Thomas, a solicitor, and younger brother of John Ward, married in 1798 Martha Merriman. The Rev. John Ward, Rector of Wath near Ripon and elder brother of Rev. Charles, married as his first wife Ann, daughter and heiress of Samuel Merriman in 1823. Two other marriages in this generation are for sisters of Rev. Charles. Margaret Ward married in 1807 Rev. John Goodenough, later Rector of Bow Brickhill, and nephew of Rt Rev. Samuel Goodenough, Bishop of Carlisle; and Lydia Ward married Admiral of the Fleet Sir James Gordon in 1812. The Ward family tree found in the literature is complicated and lengthy due to several generations having a large number of members, so the pedigree given here (Fig. 1) is only a minimal excerpt in order to explain the heraldry clearly. The Heraldry l1.1e Ward fami I y left their mark on Godinton in the form of minor structural alterations as well as some interior decoration, including a quantity of heraldic items. At the time Lillie Bruce Ward acquired Godinton, the heraldry in the house was probably just that left by the Toke family and certainly no Dodd-related heraldry is present today. Only some rooms possess Ward-related heraldry and each is dealt with here separately in the order encountered during the usual tour of the house. The Great Hall Very little Ward family heraldry exists in the Great Hall, perhaps due to the abundance of Toke heraldry already present when the Wards acquired Godinton. (Part II of this article will examine the Toke Family heraldry.) Careful inspection reveals that within the brackets of the four wall-mounted electric lamps (two on the chimney breast and two on the pierced east wall opposite) are the coats and crests of the families of Ward, Partington, Hawkes and Foster. Each lamp bracket contains two shields back-to-back, held perpendicularly to the wall, decorated on the north facing side with a family crest and on the south face with the corresponding arms. The pierced east wall bears two lamps; that to the left (north) features the Ward crest (a wolf's head erased Or gorged with a collar Azure charged with an escallop of the first between two bezants) and arms (Azure, a cross patonce Or within a bordure of the last charged with eight hurts), while the bracket to the right 225 PlfilIP LA NEWILL (south) displays the Partington crest (out of the battlements of a tower a goats head proper, charged on the neck with a mullet of six points between two escallops Sable) and arms (Sable, on a bend nebuly between/our mullets of six points, two in chief and as many in base Argent, three Cornish choughs proper). Similarly, on the brackets above the fireplace on the west wall are, to the left (south), the Hawkes arms (Or, three bendlets Azure, on a chief ermine two crosses patty Gules) and crest (on a chapeau proper an owl with wings expanded Argent); and to the right (north), the Foster arms (ermine, on a chevron Vert between three bugles stringed Sable an escallop Or) and crest (an arm embowed in armour Argent garnished Or holding in the hand proper a broken tilting spear proper). The Ward, Partington and Hawkes coats, and crests, 14 found on the lamp brackets are in agreement with the literature, along with the coat of Foster.15 The crest of Foster of Draycot Foliot, Wiltshire, does not appear in the literature used above, but an almost identical one for Foster of Brickhill, Bedfordshire (an arm in armour embowed, holding in the hand the head of a broken tilting-spear proper) does.16 The positioning of these four coats and crests may be significant. It may be said that at Godinton the order of decreasing importance of the four families represented is: Ward, Partington, Hawkes, Foster. These fom families are represented on the arms of marriage for Robert and Lillie: Ward (quartering Hawkes and Foster) impaling Partington. In this contex1 Ward represents Robert, a male and therefore takes priority; Partington represents Robert's wife Lillie; Hawkes is for Hannah, an heiress who married into the Ward family; and Foster is for Hannah, an heiress who married into the Hawkes family and was grandmother to Hannah aforementioned. The Ward and Partington families are represented at the 'upper' end of the hall, i.e. that adjoining the Parlour (seemingly the heraldic focus for the Ward family (see the next section)). These tv,ro families may be considered more important than the Hawkes and Foster families, which could explain the residence of their arms upon this wall, while Hawkes and Foster are relegated to the 'lower' end. The four families are represented in the order previously mentioned in a clockwise manner starting in what may be thought of as the north-east comer. A possible alternative interpretation relates to the heraldic display of marriages, in which the arms of the male are displayed to the left of those of the female, when the arms are on separate shields. On the east wall Ward is represented to the left of Partington; and on the west wall Hawkes is to the left of Foster. The Ward - Partington marriage is detailed above and the Hawkes - Foster marriage was between William Hawkes and Hannah Foster, sister and co-heiress of Hon. Sir Michael Foster, of Draycot Foliot, Wiltshire, Judge of the Court of King's Bench. Given that the second of these two marriages has no real relevance to Godinton, the interpretation involving the clockwise arrangement of families in order of importance would seem the most likely. The Parlour The Parlour is the main focus of the Ward heraldry and is home to some fourteen coats of arms displayed at the top of the panelling on the south wall (see Fig. 2). Twelve of these coats represent marriages, while two represent families. The layout of this group of fourteen shields has been carefully planned and the twelve 226 HERALDRY OF GODINTON HOUSE, Nr ASHFORD. PART 1: INTRO., WARD FAMILY & MISC. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 A B C D w ® (J) ® p 􀂨 ® (3) (2) Q) Fig. 2 Schematic representation of the fourteen coats in the Parlour. Key: ..1:. The shield on the right features an unusual and distinctive charge: a double staple interlaced. This is identical to a badge associated with the Neville family,21 and is also seen on the right e>..1:ernal spandrel of the front door of Peirce House in nearby Charing.22 A carved panel, which may have been on the Landing since the creation of the staircase in 1628, appears in a photograph published in 1903 .23 This panel, later used over the Parlom fireplace by Liberty & Co. in 1925, features two animal heads towards the top. To the left is the head of a lion wearing a coronet and to the right the head of a unicorn (but now without the horn) gorged arow1d the neck with a coronet and chained. These two heads are probably representative of the royal supporters used since the reign of James I in the early seventeenth century.24 Five of the posts associated with the 1628 Grand Staircase feature carved heraldic beasts and monsters, each supporting a shield from behind. At the foot of the stairs ( when facing up the staircase) are a greyhound to the left and a griffin to the right, probably in reflection of the two coats of the Toke family. To the right of these is a lion as part of a post supporting the landing. Half way up the staircase are a unicorn gorged around the neck with a coronet and chained; and a dragon similarly chained but with a loop of chain around the neck instead of a coronet. Two areas of damage are quite obvious; the griffin is missing its left wing, and the unicorn its horn. The simplest interpretation of the last three carved figures is that they represented nations within Britain. The lion would have been for England, although here without the crown; the unicorn for Scotland; and the dragon for Wales. As mentioned earlier, the crowned lion and the unicorn gorged and chained are supporters accompanying the royal arms, used from the early seventeenth century. Within the windows on the Grand Staircase is the figure of a kneeling knight in coloured glass. He is wearing a red surcoat bearing a white wyvern with its tail looped, the arms of the Brent family of Charing (Gules a wyvern displayed the tail nowed Argent). The figme may date to around 1500,25 but the geometric glass surrounding it is probably by Thomas Willement, known to have worked in the Great Hall and Porch in 1826. The pelvic region of the knight appears to have been lost at some point, so now his legs seem to join directly onto his abdomen. Above the figure are two decorated quarries. That to the left features a monogram within a circle of rays, while that to the right features a rose en soleil (a rose within a circle of rays), a badge of Edward IV. It would be tempting to associate the knight with the two quarries, however there is no evidence to suggest that these have a common origin. If Willement was responsible for this window then it is possible 231 PlfilIP LA NEWILL that the knight and the quarries were brought to Godinton by him. Certainly the knight was not mentioned by Hasted writing in 1798,26 nor was it mentioned by Neale in 1826. 27 However, the notes of Rev. Harry Russell taken in around 1903 do mention both the knight and the quarries.28 These written sources support the notion that Willement returned to Godinton after his 1826 work, although there is no conclusive evidence for this. In the semicircular window over the door in the Library Corridor leading to the Chinese Room are various pieces of decorated glass and borders of plain stained glass. Two coats of arms in enamelled glass are seen in this window, towards the comers. To the left (when facing the Chinese Room) is a coat (Gules, a saltire Or cotised Argent between four fieurs-de-lis of the third) and above it a wreath and helm, but the crest has been cut off. To the right a similar coat (Gules, a saltire cotised between four jfeurs-de-lis Or) without any other achievement. The first coat is that of Farre of Great Bursted, Essex, 29 while the second is of Farre, and appears unfinished, as the field bet\􀃀een the saltire and the cotises has been left uncoloured. This window may also be the work of Thomas Willement, as the main pieces of glass are clearly re-used and contained within borders of stained glass. Neither of these coats was mentioned in Russell's notes. Conclusion From the heraldic items installed dming the Ward occupation of Godinton it is apparent that the three main displays were carefully designed. The display in the Parlour is the largest and most complicated. This display emphasises the marriage of Robert [Bruce] Ward and Lillie Partington, placing their coat of marriage in the centre. A design of this type was clearly not meant to be extended with their male descendents' marriages. The two other, smaller, displays involve the achievements of the Ward, Partington, Hawkes and Foster fan1ilies, prioritising the first two of these. The gates by the North Lodge show the crests of Ward and Partington and the letters BW, suggesting the keenness of Robert for his family to be known as Bruce Ward rather than by the more common name of Ward. The miscellaneous items described here are varied in date and in material. The carved beasts and monsters seen on the Grand Staircase were carved in 1628 and represent the Toke family and the nations of Britain. The glass in the adjacent windows was probably installed by Thomas Willement in the 1820s or 1830s. ACKNOWLEDGEMENTS The author would like to thank the Godinton House Preservation Trust for access to the heraldry and the archive; Dr VJ. Newill for infonnation regarding the Toke family and for reading and commenting upon the draft teA'1; and Prof. Nigel Morgan for providing a copy of C.R. Councer's notes. ENDNOTES 1 Nev,man, J., West Kent and the Weald, Penguin Books Ltd, 1969. 2 Report by The Royal Commission on the Historical Momuuents of England, August 1988, file no. 40164. 232 HERALDRY OF GODINTON HOUSE, Nr ASHFORD. PART 1: INTRO., WARD FAMILY & MISC. 3 CowwyLife, 11 May 1.907, pp. 666-673. 4 Willement, T., A Concise Account of the Principal Works in Stained Glass that have been Executed by Thomas Willement of London, Fellow of the Society ofA ntiquaries, 1840. 5 Liberty & Co., London, refurbishment plans, 1924-1925, Godinton House archive. 6 Blomfield, R., plan of proposed formal gardens, 1896, Godin ton House archive. 7 Counuy Life, l August 1903, Blomfield, R., letter to the editor. 8 Hasted, E., The Histo,y and Topographical Survey of the County of Kent, second edition, vol. VII, 1798, p. 506. 9 Counny Life, 3 October 1903, Toke, J.L., letter to the editor. to Plaque in Great Chart church dedicated to George Ashley Dodd. 11 Bw*e s Genealogical and Heraldic Histmy of the Landed Gentry, eig]1teenth edition, Burke's Peerage Ltd, London, 1965-1972. 12 Progra1m11e for Alan Wyndham Green's FU11eral service, 15 February 1996, Godinton House archive. 13 Bu'*e s Genealogical and Heraldic History. However the marriage date of 1897 is only foU11d in Debretts Peerage, Baronetage, Knightage, and Companionage, A.G.M. Hesilrige (ed.), Dean & Son Ltd, London, 1935. 14 Burke, J. and Burke, J.B.,A Ge11eralAn110tyofEngland, Scotland and Ireland, Edward Churton, London, 1842. 15 Papworth, J.W., An alphabetical dictionary of coals of arms belonging to families in Great Britain and Ireland fanning an extensive ordinary of British amwrials, T. Richards, London, 1874. 16 Burke, B., The General Anno,y of England, Scotland, Ireland and Wales, Harrison, London, 1884. 17 Woodcock, T. and Robinson, J.M., The Oxford Guide to Herald,y, Oxford University Press, Oxford, I 988, p. 121. 18 Woodcock, T. and Robinson, J.M., op. cit., pp. 66-67. 19 Fearn, J., Discovering Heraldry, Shire Publications Ltd, 1986, p. 14. 20 Wells, A., Squerryes Court guidebook, Squerryes Estate, 2008, p. 14. 21 Woodcock, T. and Robinson, J.M., op. cit., p. 109. 22 Winzar, P., Archaeologia Cantiana, CXI (1993), 153. 23 Cozmuy Life, 18 July 1903, pp. 90-98. 24 Brooke-Little, J.P., Royal Herald,y Beasts and Badges of Britain, Pilgrim Press Ltd., 1994. 25 Councer, C.R., list of heraldic glass at Godin ton, lmdated, Godin ton House archive. Tue late Mr CoU11cer, a leading specialist on stained glass, catalogued the heraldic glass at Godinton in preparation for the fortl1conung Corpus Vitrearum lvfedii Aevi volmue for Kent on which he collaborated with Prof. Nigel Morgan. 26 Hasted, E., op. cit., volume VII, 1798, p. 498. 27 Neale, J.P., Views of the Seats of Noblemen and Gentlemen in England, Wales and Scotland, Sherwood & Co., London, 1826. 28 Godinton - Coats of Amis, notes made from a list by Rev. H. W. Russell, late vicar of Hoth.field, typed list, undated; and a facsimile of the original handwritten list, also undated; both Godinton House archive. 29 The Visitation ofE ssex, 1634 in The Visitations ofE ssex in 1552, 1558, 1570, 1612, and 1634, part I, The Publications of the Harleian Society Volume ){JJJ,for the yeari®CCCLXXVIII, Metcalfe, W.C. (ed.), Harleian Society, London, 1878. 233

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